About

ELDBJØRG HEMSING - VIOLINIST

A champion of Norway’s rich musical tradition, Eldbjørg Hemsing has been a household name in her native country since childhood and made her solo debut with the Bergen Philharmonic at the age of 11. Studying with Boris Kuschnir in Vienna, she has since carefully positioned herself on both the national and international stage, fine-tuning her performance-style and absorbing repertoire ranging from Beethoven to Dvořák, Grieg to Tan Dun. Together with Tan Dun she has collaborated on numerous projects in both Europe and Asia and is currently working with the composer on a new work dedicated to her and scheduled for a 2018 world premiere.
In March 2018 Eldbjørg Hemsing released her debut CD on the Swedish label, BIS, featuring violin concertos by Hjalmar Borgström and Dmitri Shostakovich, recorded with the Vienna Symphony Orchestra and Olari Elts.
Introducing the album Eldbjørg wrote: ”A few years ago, I was introduced to the music of Hjalmar Borgström, a name I was not previously familiar with and I was surprised to learn that he had been famous as both a composer and critic in Norway at the beginning of the 20th century. Opening the score of his first violin concerto for the first time I was immediately intrigued. This concerto, written in 1914, is incredibly beautiful, full of Norwegian Nationalist sentiment so typical of its time but also worthy of international attention. It reminds me of where I come from – the rugged landscape of Valdres and Jotunheimen, where the surrounding mountains rise dramatically over the valleys – and the music makes me yearn for my roots. After Borgström’s death in 1925 the concerto was completely forgotten and so today I am on something of a mission to help do my part in bringing this composer’s music back to life.”
Her debut album will be followed in September  2018 by a recording of Dvořák’s Violin Concerto and Suk’s Fantasy and Love Song with the Antwerp Symphony Orchestra and Alan Buribayev. She is also the subject of the upcoming documentary “Forte” directed by David Donnelly, focusing on women in the arts. This new venture follows the award winning success of the 2010 NRK film in which Eldbjørg and her sister Ranghild explored the life of Norway’s legendary violinist, Olle Bull.
Upcoming engagements in this season include regular performances at the Stormen Concert Hall in Bødo where Eldbjørg is the 2018 Artist-in-Residence and performances with, amongst others, the Oslo Philharmonic, MDR Radio Symphony Orchestra Leipzig, Baltic Sea Philharmonic, Arctic Philharmonic and the NWD Philharmonie. She also joins Julien Quentin for a recital tour in Spring 2018 and appears as a guest at Paavo Järvi’s Pärnu Festival in Estonia.
Eldbjørg Hemsing plays a 1754 G. B. Guadagnini violin on kind loan from the Dextra Musica Foundation.
Her long-term artistic development is generously supported by the Göhde Foundation.

ELDBJØRG HEMSING DEBUT CD REVIEWS:

“…an outstanding artist with a warm tone, accurate and precise playing. Eldbjørg Hemsing gives the second movement, the Scherzo, a bewitching and hypnotic interpretation, unforgettable. The other three movements, in the pure style of the Russian musician, place this perfectly controlled version at the level of the greatest recordings (David Oistrach, Maxime Shostakovich, EMI, 1972, Lydia Mordkovich, Neeme Jarvi, Chandos, 1989, Yefim Bronfman, Esa-Pekka Salonen, Sony, 2003). The Vienna Symphony, conducted by the rigorous and experienced Estonian Olari Elts (born in 1971), shares the outstanding merits and contributes to making this recording a subject of legitimate lust and curiosity.” – 1 May 2018

“Wonderfully played […], Eldbjørg Hemsing’s dynamism and rich, warm tone exactly what the concerto needs. She’s really impressive.” – 28 April 2018

“… the young and compellingly fresh articulating violinist Eldbjørg Hemsing has digged out the three-movement violin concerto of Borgström, recording the work with Vienna Symphony Orchestra under Olari Elts – not only as noble pioneering feat, but in violinistic and musically gorgeous manner.“ – 17 April 2018

Rating – 5/5 Stars | Magnificent: “For the concerto of Shostakovich which was dedicated to the marvelous David Oistrach, this violinist must expect comparisons – which she in fact all does not need to shun! Can one play this great violin concerto in such superb manner with 28 years of age? Eldbjørg Hemsing can!“ – 12 April 2018

“Hemsing delivers a true top performance in both of these concertos. Enthusiasm, imagination, energy, finesse, sharpness, lyricism, brilliance: it is all there, with the highly engaged Estonian conductor Olari Elts who shows the Vienna Symphony, so to speak, all corners of the hall. Of course, Borgström’s Violin Concerto is the ‘ear-opener’ here, but I was also overwhelmed by the expressive dimensions of the interpretation in Shostakovich’s first violin concerto.“ – 19 March 2018

“The timbres are varied, full of warmth and brilliant registers, and how Hemsing deals with this centuries-old richness [of her G.B. Guadagnini from 1764] is masterful: attuned to the characteristics of the violin and alert in her response to them, subtle in sound and astute in accentuation. Every vibrato, every tempo is well thought out and Hemsing highlights the Shostakovich concerto both in its extended lamentation and grim ferocity, without ever overstating. The Borgström, on the other hand, she develops into a sparkling, self-assured, almost indomitable momentum. The result is a uniquely delicate musical balance between the two concertos, the axis between them is Hemsing’s unmistakable and consistent colour. This is vivacious and at the same time very mature.” – 15 March 2018

Holger Wemhoff, Klassik Radio | 8. März 2018: “…in the meanwhile she [Eldbjørg Hemsing] is regarded as one of the best and greatest young hopes, not only of her country Norway, but of the entire world. And that can especially be heard in her new, her debut CD.”  –  Holger Wemhoff | 12 March 2018: “One of the best violin recordings of the past years.”

“…a brilliantly successful debut… whether it is the elegiac Nocturne, the virtuoso tricky Scherzo, the breathtaking solo cadenza in the 3rd movement, or the Burlesque which is tumbling between exuberant euphoria and treipdation, Hemsing in each case gives the adequate note. A joint triumph of Shostakovich’ genuine creativiness and the verve of the young artist who translates this music-historical monument into moving sounds.“ – 6 March 2018

“The wonderful Violin Concerto in G major op. 14 from 1914 is a real hit, and you can be thankful to the Swedish label BIS for letting the work now appear at its best. The solo part is played by the fabulous young Norwegian Eldbjørg Hemsing: she impresses with a brilliant technique, her tone is bright and soft – and the grandeur of a free violinist soul is enthroned above everything. The 27-year-old artist, of whom there is still a great deal to hear, brings the work, which one can hear wonderfully carefree, so to speak, back into the repertoire. The Wiener Symphoniker, under the direction of Olari Elts, assists masterfully. This SACD is rounded off by a no less impressive performance of the Violin Concerto No. 1 in A minor by Dmitri Shostakovich, which captures the edges and abysses of the music.“ – 5 March 2018

“…with her supreme violinistic ease, sprightly personality and wonderfully clear and pure lyrical tone (2nd movement), the violinist Eldbjørg Hemsing transforms this repertoire rarity [Borgström violin concerto] into a worthwhile rediscovery or new discovery. Hemsing’s mastery of the entire Shostakovich spectrum, from gloomy bitterness to grotesquely-virtuosic agility, is then demonstrated in her collaboration with the highly committed Wiener Symphoniker.“ – 3 March 2018

…jointly with Wiener Symphoniker and Olari Elts, Hemsing presents an interpretation which is convincing, rich of colors and personal. With consistently brilliant sound and flexible expression, Eldbjørg Hemsing makes this album absolutely worth listening to.” – 20 February 2018

Rating – 6/6 Stars: “… a fabulous discovery … [Hemsing] offers a star performance, technically steady as a mountain goat, bold and assertive where required and sweetly filled like spun sugar in the slow movement … this recording is strongly recommended.​”​- 14 February 2018

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